Rialto Pictures


MELVILLE ON "ARMY OF
   SHADOWS "

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WHAT THE CRITICS SAY

 BOSTON GLOBE
    BOSTON HERALD
    BOXOFFICE
    CHICAGO READER
    CHICAGO SUN TIMES
    CHICAGO TRIBUNE
    DAILY NEWS
    EUROPEAN WEEKLY
    FILM COMMENT
    LA TIMES
    THE NEW REPUBLIC
    NEW YORK OBSERVER
    NEW YORK POST
    NEW YORK TIMES
    THE NEW YORKER
    NEWSWEEK
    PHILADELPHIA CITY PAPER
    PREMIERE
    SALON.COM
    SEATTLE POST-INTELLIGENCER
    SEATTLE TIMES
    THE STRANGER
    TIME
    TIME OUT NEW YORK
    VILLAGE VOICE

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What the Critics Say About ARMY OF SHADOWS

© 2006 Time Out New York / Issue 552: April 27–May 3, 2006
New Review By JOSHUA ROTHKOPF

One of filmgoing’s most thrilling adventures, the collected tough-guy cinema of France’s Jean-Pierre Melville could make a cultist out of just about anybody. Imagine the cool gunmetal palette of a Michael Mann bruiser, swaddled in the voluptuous music, mood and political complexity of a Bertolucci film, and peopled with contemplative gangsters straight out of high-period John Woo, and you’re only scratching the surface.
PIÈCE DE RÉSISTANCE Ventura, left,
and Crouchet plan in the shadows..

Based on the essential French Resistance novel by Joseph Kessel (also the writer of Belle de Jour), Melville’s epic Army of Shadows easily stands with his better-known works like Le Samouraï; never before released in the U.S., it’s the revival of the season—a stunning lost masterpiece. Anchored by Lino Ventura’s magnetically reserved and dignified performance as an underground operative, the movie plays like a magnificent series of stealthy set pieces: daring escapes from Gestapo detention centers, nighttime parachute leaps out of planes, even a private submarine cruise.

But Army of Shadows isn’t merely the sum of its nail-biting parts. Suffused with an understated flush of intimacy, the movie creates a stirring sense of secret comradeship, beautifully supplied by the entire supporting cast, but especially Simone Signoret as the shrewd, maternal Mathilde. An expert mix of political intrigue and explosive action, Melville’s film is so poised, it could run breathlessly for another three hours.

Dir. Jean-Pierre Melville. 1969. N/R. 145 mins.
In French, with subtitles. Lino Ventura, Simone Signoret, Paul Crouchet

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