About the Collection

Rialto Pictures is the U.S. theatrical and nontheatrical representative of the Studiocanal library of over 2,000 international films. Below is a partial list of additional titles in the library. 

Contact us if you’re interested in booking any of these films, as well as Studiocanal titles not on this list. 

Selected Titles

All the Mornings of the World (dir. Alain Corneau, 1991, France)
Angel Heart (dir. Alan Parker, 1987, US)
Anthony Zimmer (dir. Jérôme Salle, 2005, France)
Baxter (dir. Jerome Bolvin, 1989, France)
Baxter! A Suitable Case for Treatment (dir. Lionel Jeffries, 1973, UK)
Bitter Moon (dir. Roman Polanski, 1992, France/UK/US)
Bitter Rice (dir. Giuseppe De Santis, 1949, Italy)
The Blue Lamp (dir. Basil Dearden, 1950, UK)
Bodas de Sangre (Flamenco Trilogy Part 1) (dir. Carlos Saura, 1981, France)
Britannia Hospital (dir. Lindsay Anderson, 1982, UK)
Les bronzés (dir. Patrice Leconte, 1978, France)
Buffet Froid (dir. Bertrand Blier, 1979, France)
Calmos (dir. Bertrand Blier, 1976, France)
Camille Claudel (dir. Bruno Nuytten, 1988, France)
Carmen (Flamenco Trilogy Part 2) (dir. Carlos Saura, 1983, Spain)
Carnal Knowledge (dir. Mike Nichols, 1971, US)
Le Chat (dir. Pierre Granier-Deferre, 1971, France)
Christine (dir. Pierre Gaspard-Huit, 1958, France)
Conversations with My Gardener (dir. Jean Becker, 2007, France)
Le Corbeau (dir. Henri-Georges Clouzot, 1943, France)
Le Crabe-Tambour (dir. Pierre Schoendoerffer, 1977, France)
Crash of Silence (dir. Alexander Mackendrick, 1952, UK)
Crimes of the Heart (dir. Bruce Beresford, 1986, US)
Cry the Beloved Country (dir. Zoltan Korda, 1952, UK)
The Day the Earth Caught Fire (dir. Val Guest, 1961, UK)
Le Dernier Tournant (dir. Pierre Chenal, 1939, France)
Détective (dir. Jean-Luc Godard, 1985, France/Switzerland)
Don’t Drink the Water (dir. Howard Morris, 1969, US)
The Doors (dir. Oliver Stone, 1991, US)
Dov’è La Libertà? (dir. Roberto Rossellini, 1964, Italy)
El Amor Brujo (Flamenco Trilogy Part 3) (dir. Carlos Saura, 1986, Spain)
Elstree Calling (dir. André Charlot, Jack Hulbert, Alfred Hitchcock, 1930, UK)
Emmanuelle (dir. Just Jaeckin, 1974, France)
Entertaining Mr. Sloane (dir. Douglas Hickox, 1970, UK)
L’équipier (dir. Philippe Lioret, 2004, France)
Une femme à sa fenêtre (dir. Pierre Granier-Deferre, 1976, France)
La Fille de l’Eau (dir. Jean Renoir, 1925, France)
Happiness is in the Field (dir. Étienne Chatiliez, 1995, France)
The Heart of the Matter (dir. George More O'Ferrall, 1953, UK)
Hélas Pour Moi (dir. Jean-Luc Godard, 1993, France/Switzerland)
Hue and Cry (dir. Charles Crichton, 1947, UK)
Je t’aime, moi non plus (dir. Serge Gainsbourg, 1976, France)
Laughter in Paradise (dir. Mario Zampi, 1951, UK)
Liebelei (dir. Max Ophüls, 1933, Germany/France)
Let’s Spend the Night Together (dir. Hal Ashby, 1982, US)
Lucky Jim (dir. John Boulting, 1957, UK)
Lucky Luciano (dir. Francesco Rosi, 1973, US/France/Italy)
Ma Saison Préférée (dir. André Téchiné, 1993, France)
The Magic Box (dir. John Boulting, 1951, UK)

 

Mandabi (dir. Ousmane Sembene, 1968, France/Senegal)
Un Mauvais Fils (dir. Claude Sautet, 1980, France)
Mayerling (dir. Anatole Litvak, 1936, France)
Monsieur Vincent (dir. Maurice Cloche, 1947, France)
Murder! (dir. Alfred Hitchcock, 1930, UK)
Nicholas Nickleby (dir. Alberto Cavalcanti, 1947, UK)
Night Boat to Dublin (dir. Lawrence Huntington, 1946, UK)
Number Seventeen (dir. Alfred Hitchcock, 1932, UK)
The Onion Field (dir. Harold Becker, 1979, US)
Pathfinder (dir. Nils Gaup, 1987, Norway)
La Piscine (dir. Jacques Deray, 1969, France)
Pool of London (dir. Basil Dearden, 1951, UK)
Prénom Carmen (dir. Jean-Luc Godard, 1983, France)
La princesse de Clèves (dir. Jean Delannoy, 1961, France/Italy)
The Proud Valley (dir. Pen Tennyson, 1940, UK)
The Queen of Spades (dir. Thorold Dickinson, 1949, UK)
Quelques Jours avec moi (dir. Claude Sautet, 1988, France)
Rambling Rose (dir. Martha Coolidge, 1991, US)
Rambo III (dir. Peter MacDonald, 1988, US)
Raw Deal (dir. John Irvin, 1986, US)
La Religieuse (dir. Jacques Rivette, 1966, France)
Rich and Strange (dir. Alfred Hitchcock, 1931, UK)
Saraband for Dead Lovers (dir. Basil Dearden, 1948, UK)
Le Sauvage (dir. Jean-Paul Rappeneau, 1975, France)
The Secret People (dir. Thorold Dickinson, 1952, UK)
Senso (dir. Luchino Visconti, 1954, Italy)
Série Noire (dir. Alain Corneau, 1979, France)
Seven Days to Noon (dir. John Boulting, Roy Boulting, 1950, UK)
The Skin Game (dir. Alfred Hitchcock, 1931, UK)
The Small Back Room (dirs. Michael Powell & Emeric Pressburger, 1949, UK)
The Smallest Show on Earth (dir. Basil Dearden, 1957, UK)
The Sound Barrier (dir. David Lean, 1952, UK)
Sparrows Can’t Sing (dir. Joan Littlewood, 1963, UK)
Stavisky (dir. Alain Resnais, 1974, France)
Swamp Thing (dir. Wes Craven, 1982, US)
La Symphonie Pastorale (dir. Jean Delannoy, 1946, France)
The Tales of Beatrix Potter (dir. Reginald Mills, 1971, UK)
Tamango (dir. John Berry, 1958, France)
The Tenth Victim (dir. Elio Petri, 1965, Italy)
Testament of Orpheus (dir. Jean Cocteau, 1960, France)
The Titfield Thunderbolt (dir. Charles Crichton, 1953, UK)
Ulysses (dir. Mario Camerini, 1954, Italy)
Whisky Galore (dir. Alexander Mackendrick, 1949, UK)
The White Sheik (dir. Federico Fellini, 1952, Italy)
The Winslow Boy (dir. Anthony Asquith, 1948, UK)
Winter Kills (dir. William Richert, 1979, US)
Woman Times Seven (dir. Vittorio De Sica, 1967, Italy/France/US)
Yield to the Night (dir. J. Lee Thompson, 1956, UK)

Back To Top