![Available on DCP](https://img.artlogic.net/w_680,h_1000,c_lfill/exhibit-e/56d076fc6aa72c8630e65aa7/180b7e69905f98a8398806a4fac87a4f.jpeg)
“MY BEST FILM”
— Michael Powell
NEW 4K RESTORATION COMING SOON
HELD OVER June 28 – July 25 New York, NY FILM FORUM
July 20 New York, NY MoMA
part of "Cinema Unbound: The Creative Worlds of Powell and Pressburger"
July 5 Madison, WI UW CINEMATHEQUE
July 21 & 24 Waterloo, ON PRINCESS CINEMAS
July 21 & 24 Pleasantville, NY JACOB BURNS FILM CENTER
July 28 & 31 Hamilton, ON PLAYHOUSE CINEMA
August 3 – 4 Cleveland, OH CLEVELAND CINEMATHEQUE
August 4 & 29 Pittsburgh, PA HARRIS THEATER
August 11 Los Angeles, CA ACADEMY MUSEUM
August 24 & 26 Baltimore, MD THE CHARLES
October 5 & 12 Chicago, IL GENE SISKEL FILM CENTER
October 18 – 19 Houston, TX MUSEUM OF FINE ARTS
“MY BEST FILM”
— Michael Powell
United Kingdom, 1949
Director: Michael Powell, Emeric Pressburger
Producer: Michael Powell, Emeric Pressburger
Cast: David Farrar, Kathleen Byron, Jack Hawkins, Leslie Banks
Screenwriter: Michael Powell, Emeric Pressburger
Based on the novel by Nigel Balchin
Cinematography: Christopher Challis
Music: Brian Easdale
Genre: Drama
Black & White
Aspect Ratio: 1.37:1
Language: English
Running Time: 107 minutes
Synopsis:
In this classically romantic suspense thriller, David Farrar stars as a bomb disposal expert Sammy Rice, embittered by a prosthetic leg courtesy of an on-the-job snafu and battling addiction (giving Powell and Pressburger the opportunity for a bizarre DT fantasy sequence), until faced with the ultimate explosive challenge: a German bomb sporting an unbeatable booby trap.
Awards and Recognition:
Best British Film nomination (BAFTA Awards, 1950)
Restoration:
Restored by The Film Foundation and BFI National Archive in association with Studiocanal. Funding provided by The Film Foundation and Studiocanal. Special thanks to Martin Scorsese and Thelma Schoonmaker for their consultation.
4K Scanning: Silver Salt Restoration Limited, London
Picture restoration: Cineric, Inc., New York
Audio restoration: BFI National Archive
“ONE OF THE PERIOD’S MOST PIERCING,
EMOTIONALLY ANGUISHED ROMANCES”
— Bill Weber, Slant